at this point he’s not far away from capturing
the shot, which, as you might guess, isn’t a
matter of simply clicking a shutter button.
Celestial objects are not only very dim, but also
have a pesky habit of “moving” across the sky,
thanks to the earth’s rotation. Because of their
dimness, Illig’s exposure times can last up to 10
minutes, and to keep his images from blurring,
his telescopes have to follow an object’s path
very precisely.
This is where the second telescope and
yet another camera come in. “That second
telescope is mounted atop the imaging
telescope in ‘piggyback’ fashion. It, too, has
a CCD camera attached,” Illig says, “but it’s a
guide camera rather than an imaging camera.”
With his guide camera now communicating
directly to his imaging camera via USB, Illig
shoots a photo of a star close to his target
object, centers that star in the guide camera’s
frame, then clicks on it onscreen to identify it
in Equinox Image. He now instructs the software to run a calibration
routine, during which it moves the telescope in small amounts on the
X and Y axes and photographs the guide star, measuring its position
relative to the telescope. In essence, the calibration tells the software
how to control the movement of the guide camera, while the main
camera is simultaneously capturing the target object.
“The telescope mount is now slaved to the Mac software,” Illig says,
“so if the guide star begins to move from its original position—a
certain pixel on the CCD sensor—the software will move the telescope
Illig inside his cramped
observatory. The gray
box in the lower right is
his main CCD imaging
camera. The white
machinery in the middle
is his computerized
telescope mount.
Illig’s observatory from the outside. It’s
called Upton Farm Observatory, in honor
of his wife Leona’s family farm. It also
happens to have the acronym UFO.
to compensate, and the star will remain centered.”
So is it time he snap the shot? Nope. We’re not there yet.
FOCUS, FOCUS, FOCUS. Illig now has to focus the image, which
(once again) isn’t as straightforward as it sounds. “I set the camera-control part of the software to Focus mode, in which it takes a series of
exposures and downloads them to the Mac for my examination.”
With the camera-control software, Illig moves the camera inward
toward the telescope a very small amount, until the image is a little less
PHOTO BY LEONA ILLIG
www.maclife.com FEB•09 M|L
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